Review of THE PERFECT HOSTS by Heather Gudenkauf

About the Book

On Sale Date: November 4, 2025

ISBN: 9780778360049, 0778360040

Trade Paperback : $18.99 USD, $24.99 CAD

Genres: Fiction / Thrillers / Suspense

Pages: 320

Synopsis

A couple’s gender reveal party turns deadly and everyone is a suspect in this gripping thriller from the New York Times bestselling author of The Overnight Guest.

Is it a boy or a girl? They would die to know…

Madeline and Wes Drake have invited two hundred of their closest friends and family to their sprawling horse ranch for the most anticipated event of the year: a “pistols and pearls” gender reveal party so sensational it is sure to make headlines. But the party descends into chaos when the celebratory explosive misfires, leaving one woman dead and a trail of secrets.

As the aftershocks of the bloody party ripple across the small town, Agent Jamie Saldano is brought on the scene to investigate. Battling his own demons from the past, Saldano unearths a web of deceit spun around the Drakes. The appearance of some unexpected houseguests only deepens the mystery. And as tensions mount, it becomes clear that the explosion wasn’t just an unlucky accident. But who was the target, and why? As the shadow of a killer looms, the happy parents-to-be must unravel the truth before it’s too late.

My Thoughts

My goodness! This book and all of its twists and surprises kept my head spinning and my mind whirling as I anticipated the next unexpected revelation. The story begins with a bang, literally, as a gender reveal party’s explosive plan turns deadly. Madeline and Wes had no idea that their party would end up killing a guest, injuring many more and bring an ATF agent to their doorstep to investigate. Agent Jamie Saldano is not a stranger to the area since he grew up there and it also the place from which his older sister disappeared when they were both still in high school. I really enjoyed the complex plot that involved various characters and their backstories. The author did a masterful job of weaving the whole plot together into a cohesive tapestry by having each character voice their own point of view. There are plenty of characters and plenty of action happening throughout this thought-provoking thriller and all of them kept me guessing. I think my favorite character was Saldano since he was the one who kept his cool and kept investigating in spite of all of the roadblocks and subterfuge. The characters were all relatable although some were hard to like, like Mellie who seemed to be a gold digger with secrets and a hidden agenda. The story is engaging, fast-paced and one not to be missed for those who enjoy thrillers that are expertly crafted and gripping. With an unexpected ending and an addictive story, this book gets five plus stars from me and a warning to be prepared to read all night. Trigger warning: abuse and violence.
I voluntarily received a complimentary copy of this book from the publisher via Netgalley. I was not required to write a positive review, and all opinions expressed are my own.

Contemporary Fiction, Thriller, Suspense, Rated PG-13

About the Author

Heather Gudenkauf is the critically acclaimed author of several novels, including the New York Times bestsellers The Weight of Silence, The Overnight Guest and Everyone Is Watching. She lives in Iowa with her husband and children. 

Social Links:

Website: https://heathergudenkauf.com/ 

Facebook: https://www.facebook.com/Heather-Gudenkaufs-Books-259685275092/ 

Instagram: https://www.instagram.com/heathergudenkauf/ 

Pinterest: https://www.pinterest.com/hgudenkauf/ 

Bookbub: https://www.bookbub.com/profile/heather-gudenkauf 

Excerpt

MADELINE

“Madeline,” comes Wes’s voice, tinny and faraway-sounding. “Are you okay?”

She is lying flat on her back, the air still hazy with smoke. Is she? Is she okay? The ringing in her ears is fading, and she can hear again. In the distance she can hear sirens. Help is coming. Madeline does a mental scan of her body. Nothing seems broken, but her head is pounding. She touches her hairline, expecting her fingers to come back with blood, but instead they find an egg- sized lump. She tries to remember exactly what happened. Wes pulled the trigger, and the truck exploded. An explosion, that’s what it was. Something had gone wrong with the reveal. The baby. Oh God, is the baby okay? She presses her palms against her belly.

“Madeline, Madeline,” comes Wes’s voice again, this time more insistent. His frantic face comes into view.

“Shhh,” Madeline orders. “Please be quiet.” She needs to lie completely still, has to concentrate so she can feel the baby move. She. The baby is a girl, Madeline thinks, remembering the wisps of pink smoke she saw among the fiery black cloud. Her little girl will kick her in the bladder, one of her favorite moves, any second now. There is nothing. No cartwheels or wiggles. Nothing.

Wes kneels beside her and slips his hand into hers. “Help is coming. Stay put. Don’t move.”

Madeline nods as hot tears roll down her cheeks. “What happened?”

“It must have been the truck,” Wes says. “It must have triggered a bigger explosion.”

“But how?” Madeline asks. “You said it was safe . . . Is anyone hurt?”

“It was. It was supposed to be.” He shakes his head, be- wildered. “I don’t know what happened.”

Madeline struggles into a sitting position and looks around. Charred lumber litters the lawn. The canopy over the dining tables has collapsed and is covered in dancing flames that a handful of guests and waitstaff are trying to smother with what- ever is handy: cowboy hats, table linens, an old horse blanket. Other guests are gathered in small, tight clusters, holding on to one another. Some sit in the grass crying, others stand slack- faced, as if in shock. Through the smoke a rodeo clown appears, his brightly colored clothing now blackened with soot and his makeup running down his sweaty face. The clown is helping the photographer, who is bleeding from the head. But it is the old storage barn that Madeline finds herself fixated on. Huge f lames shoot from the hayloft window and the roof. Someone pulls a hose from one of the horse barns, and suddenly buckets and containers of all sizes appear. Others, including Johanna’s husband, Dalton, are running toward the burning barn and tossing water onto the structure. They know that one wayward spark could ignite the house or, worse, the barns filled with her beloved horses.

“Can you walk?” Wes asks. “We have to get you away from here.”

Madeline nods, and Wes helps her to her feet. She is barefoot. The blast had lifted her in the air and knocked her flip-flops clear off her feet. Madeline, leaning against Wes, winces with each step, the rough ground pricking at the soles of her feet. He leads her to the meadow, a safe distance from the burning barn, but still close enough for her to see what’s happening. Some of Madeline’s earlier numbness is beginning to wear away, and the enormity of what has happened begins to descend.

“Go,” Madeline says, knowing they need as many hands as possible.

Wes shakes his head. “No,” he says. “I’m not leaving you.” “I’m fine,” she says, but is she? She fell hard, and still the baby hasn’t moved.

Madeline scans the crowd. “Where’s Johanna?” she asks. “Have you seen her?”

“I haven’t,” Wes says. “But I’m sure she’s around here somewhere. Have you seen Dix?”

“No,” Madeline says. The last she saw Dix was just before he handed the microphone to Wes. “Go,” Madeline repeats. “Really, I’m fine. I just have to get my bearings,” she assures him when he turns his gaze to her doubtfully. “Go help, find your brother. And check on the horses.”

“You wait here,” Wes says. “Don’t move from this spot, and I’ll come back and find you.” He squeezes her hand and kisses her cheek before darting away and disappearing into a cloud of black smoke.

Madeline continues to eye the property for any sign of Johanna’s long dark braid, her suede skirt. In the distance the wail of sirens grows closer. Help is coming. The meadow to the left of the house was being used as a makeshift parking lot for the guests’ vehicles. One wayward spark from the fire landing on the stubbled field could set off a chain reaction where upward of a hundred cars and trucks, tanks filled with gasoline and diesel, sit idly.

The air is filled with inky smoke blotting out the face of the mountain and the setting sun. A fire truck pulls through the side yard, crushing Madeline’s lavender and Russian sage, its massive tires carving deep ruts in the soil. Madeline barely notices—it’s what she sees as a group of guests part to let the truck through that causes her breath to lodge in her throat. A woman lies on the ground, her arm thrown over her face, while someone presses a blood-soaked cloth to her abdomen. One by one, Madeline registers the carnage. Someone is doing CPR on Gary Wilson, the president of the bank that holds their mortgage. One of her equestrian students is wandering aimlessly through the smoke, tears running down her face. A fifteen-hundred- pound bull has escaped the rodeo paddock and is trotting toward the mountains. She sees Mellie, the young waitress, running and screaming, fire dancing up the front of her legs. A partygoer tackles her, smothering the flames with his body.

This is bad. So very bad. Madeline fights the urge to vomit. She wants to help. But how? Water, Madeline thinks. She can pass out bottles of water, try and keep the guests calm and reassure them that help is here, that everything is going to be okay. On unsteady feet she moves toward the party barn, where she knows there is plenty of bottled water, but someone grabs her arm. Mia. “Have you seen Sully?” she asks tearfully, her arm hanging at an odd angle. “I can’t find him.”

Madeline shakes her head. “I’ll help look for him,” she promises. “You’re hurt. Sit down.”

Mia shakes her head. “I need Sully,” she says thickly and stumbles away. There are too many injured and not enough emergency personnel.

The fire truck has come to an abrupt stop. Two firefighters are urging those guests who jumped in to try to put out the fire to move away from the blaze. With machinelike efficiency, they unroll the hoses.

Madeline is mesmerized by the flames that roll across the roof of the barn, the dense cloud of smoke, the roar of lumber being eaten by the flames. She moves closer, unnoticed by the firefighters, her face growing pink from the heat. Madeline vaguely becomes aware of more sirens and shouts of “Over here” and “Please help!” More help has arrived. The spray of water hisses and snarls as it strikes flames and wood. The barn turns into a living thing then, twisting and groaning until it collapses in on itself, turning to a big heap of charred lumber with sooty farm equipment peeking out here and there.

Excerpted from The Perfect Hosts by Heather Gudenkauf, Copyright © 2025 by Heather Gudenkauf. Published by Park Row Books

Purchase Links

Amazon: https://www.amazon.com/Perfect-Hosts-Novel-Heather-Gudenkauf-ebook/dp/B0DQQ9BRLR 

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With deep appreciation to HTP BOOKS for including me in the Fall 2025 Blog Tour for THE PERFECT HOSTS by Heather Gudenkauf. A wild and enjoyable thrill ride!

Review of OTHERWISE ENGAGED by Susan Mallery

About the Book

On Sale Date: November 4, 2025

ISBN: 9780778387268, 0778387267

Hardcover

$30.00 USD, $37.00 CAD

Fiction / Family Life / Siblings

368 pages

A twisty, tender and wise look at how secrets can transform the powerful—and sometimes problematic—bond between mothers and daughters, from #1 New York Times bestselling author Susan Mallery.

When Shannon gets engaged, her beloved mom, Cindy, is the first person she wants to tell—and the last. Cindy’s engaged, too, and has already hinted at a double wedding. The image of a synchronized bouquet toss with her mom fills Shannon with horror. She’ll keep her engagement a secret until Cindy’s I-dos are done.

Victoria has never been proper enough for her mother, Ava, so she stopped trying. She lives on her own terms and amuses herself by pushing Ava’s buttons. Ava loves but doesn’t understand her stuntwoman daughter. When a movie-set mishap brings Victoria home, Ava longs to finally connect.

Chance brings the four women together at a wedding venue, where a shocking secret comes tumbling out. Twenty-four years ago, desperate teenager Cindy chose wealthy Ava to adopt her baby—then changed her mind at the very last second. The loss rocked Ava’s world, leaving her unable to open her heart to the daughter she did adopt, Victoria. As Shannon and Victoria deal with the fallout from the decisions their mothers made, they wrestle with whether who they are is different than who they might have become.

My Thoughts

This novel is contemporary fiction told with heart and humor and hope. There is some romance within the storyline, but the thrust of the plot is all about mother-daughter relationships and friendships. The four main characters are all fascinating and believable as they muddle through the obstacles to establishing good relationships, including trust. The moms in the story are Ava and Cindy. Ava’s adopted daughter is named Victoria, and she is a firecracker who bucks her mom on just about everything. Cindy’s daughter is Shannon and they are very close, perhaps too close as Shannon wants boundaries and her mom wants to be a part of every piece of her life. The conflicts are intriguing and thought-provoking since they encompass the topics of open adoption and helicopter mothering. I really enjoyed how the author moved smoothly from one character to another, letting me know what was going on in the life of each of them before they encountered one another at a wedding venue. The action was already absorbing and fast-paced, but it quickened even more and kept me turning pages as fast as I could so I could find out how the issues would be resolved. This is a brilliantly written and clever character study as well as a commentary on relationships and how to maintain them in a healthy manner. With insight given in a humorous and genuinely helpful way, this book had me thinking even as I chuckled my way through some of the issues of the four ladies. Although the plot is complex with the intertwining of the lives of the women, I never felt lost but instead I was immersed in each of their lives and clearly able to visualize their difficulty. The multiple layers were part of the charm and what kept me so completely engaged in the novel. This book is unforgettable in its clever plot and dynamic characters and is a definite five plus stars for me. It also lends itself to discussions in book groups and even has a set of questions at the end of the book to start those discussions.
I voluntarily received a complimentary copy of this book. I was not required to write a positive review, and all opinions expressed are my own.

Contemporary Fiction, Rated PG-13

About the Author

SUSAN MALLERY is the #1 New York Times bestselling author of novels about the relationships that shape women’s lives―family, friendship, romance. Library Journal says, “Mallery is the master of blending emotionally believable characters in realistic situations,” and readers seem to agree―40 million copies of her books have sold worldwide. Her warm, humorous stories make the world a happier place to live. She’s passionate about animal welfare, which shows in the many quirky animal characters she has created. Susan grew up in California and now lives in Seattle with her husband and adorable poodle. Visit her at SusanMallery.com.

Social Links:

Website: https://susanmallery.com/ 

Facebook: https://www.facebook.com/SusanMallery 

Twitter: https://twitter.com/susanmallery 

Instagram: https://instagram.com/susanmallery 

Pinterest: https://www.pinterest.com/susanmallery/ 

Goodreads: https://www.goodreads.com/susanmallery 

Bookbub: https://www.bookbub.com/authors/susan-mallery 

Mailing List: https://susanmallery.com/join-mailing-list.php 

Excerpt

How does the horse look?

Victoria Rogers pressed her good arm to her very bruised, almost broken ribs. “Dad, don’t,” she said, trying to stay as still as possible. “You can’t be funny. It already hurts to breathe. It wasn’t a horse.”

Her father frowned. “I was told you were thrown off a horse.” “I was thrown out of a truck.”

“Then how’d you get the black eyes?”

“The ground was a little bit pissy when I hit it and punched me back.”

There wasn’t a part of her that didn’t hurt. The good news was that now that the medical staff had determined she didn’t have a head injury, they were going to give her drugs to help with the pain. She’d already said she didn’t want any of that weak-ass pill stuff. She wanted a nurse to give her a shot of something that would work instantly and let her rest. Because in addition to the bruised ribs, requisite scrapes and contusions, she had a broken left leg and a sprained wrist. Her previously dislocated shoulder also throbbed, but that was kind of the least of it.

As she lay in her hospital bed, feeling like death on a tortilla, she had the thought that maybe stunt work wasn’t for her. Injuries came with the job, but this was the third time in five years she’d landed in the hospital. The first time she’d messed up, so that was on her, but the other two had just been plain bad luck. The incident with the truck had come about because one of the tires had blown, causing the however many ton vehicle to jump the curb—an action that had sent her flying up and over the side. Gravity, being the bitch it was, had flung her onto the sidewalk. Hence the injuries.

Her father studied her, his brows drawn together in concern. “None of this makes me happy,” he told her.

The incongruous statement nearly made her laugh. She remembered—just in time—that her ribs wouldn’t appreciate the subsequent movement and they would punish her big-time. 

“Today isn’t my favorite day either,” she admitted, trying not to groan. “I didn’t wake up with the thought that I should try to get thrown out of the back of a pickup.” Although technically getting thrown out of the truck had been the stunt. Just not when it had happened and without warning or a plan.

“I’m worried,” her father told her. 

“I’ll be fine.”

“This time.”

She winced, and not from pain. “Now you sound like Mom.” 

Her father, a handsome man only a few months from his sixtieth birthday, brightened. “Thank you, Victoria. That’s such a nice thing to say.”

Given her weakened condition, she let that comment slide. Honestly she didn’t have the strength to deal with it right now, even though she knew her father understood exactly what she’d been saying. He was only pretending to not get it.

“If you’re going to act like that, you should go,” she said, then amended what could be construed as a catty comment into something more kind. Mostly because she only had the emotional energy not to get along with one of her parents, and her mother had already claimed that prize. “Besides, they’ll be bringing my drugs any second. I plan to surrender to sleep, so I’m not going to be very conversational.”

As if to prove her point, one of the nurses walked in with a syringe. “Ready to feel better?” he asked cheerfully.

“Yes, and let me say, you’re my favorite person ever.” 

He winked. “I get that all the time.”

He slowly injected whatever the medication was into her IV. Victoria drew in a shallow breath as she waited to feel that first blurring of the edges of the pain. Modern medicine was a miracle she intended to embrace.

The nurse left. Milton took her good hand in his.

“I’ll let you rest,” he told her. “But I’ll be back later tonight.” He squeezed her fingers. “Tomorrow, when you’re released, I’m taking you home.”

Ugh. Victoria knew that her father wasn’t talking about the pretty condo he’d bought her when she’d turned twenty-one. Instead he meant the house where she’d grown up. The one where her mother still resided.

“I don’t need to move back,” she protested, feeling the first telltale easing of the pain. “I have a few bumps and bruises.”

“Along with a broken leg. And what about your ribs? You can barely move without wincing.”

“I have zero pain tolerance. I’m a total wimp.”

He frowned. “You’re tough and stoic. If you’re showing signs of pain, it’s bad. You’ll stay with your mother and me until you’re well enough to be on your own.” He pointed at her. “I mean it, Victoria. You don’t get a vote.”

Her father was rarely stern with her, so his sharp tone warned her he wasn’t kidding. And she knew from twenty-four years of experience that arguing with the man would get her nowhere. Milton didn’t take a stand very often, but when he did, he was the immovable object.

“I wish you loved me less,” she murmured, feeling a little floaty and stumbling over her words. “Okay, I feel drugs. Let me enjoy the experience of breathing without, you know, wanting to die.”

Oh, baby girl. You’ve always been difficult.”

“I know. It’s one of my best qualities.” Her eyes drifted closed. “Love you, Dad.”

“Love you more.” He kissed her cheek. “I’ll see you tonight.” 

“Come alone.”

His soft chuckle was the last thing she heard.

Excerpted from Otherwise Engaged by Susan Mallery, Copyright © 2025 by Susan Mallery Inc. Published by MIRA Books. 

Purchase Links

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With much appreciation to HTP BOOKS for including me in the Fall 2025 Blog Tour for Otherwise Engaged by Susan Mallery.