Review of THE DAZZLING TRUTH by Helen Cullen

For me, this was a book that was difficult at times to stay focused on and to read for long periods of time. That is not to say that it was not a good book. It was a thought-provoking novel that made me think each day of what I had read and ponder its significance to the story and any insights into my own life. The story begins in the present and then goes back almost four decades to the past. Maeve and Murtagh met in Ireland when she was doing an internship in acting and he was a pottery student. The inevitable romance, marriage and motherhood follow, with a great deal of description of the setting and the characters. The author’s ability to help me to visualize the setting of the small island off the Irish coast where the Moone family settled and to empathize with the very deep feelings or each character was a definite strong point of the novel. The tragedy that falls on the family forces them to confront the dark days of the past and to decide to march forward into an unknown future. With themes of depression and the challenges of creating a family together, this novel seemed to wander aimlessly into the past, just as the family members did in their desperate search for a resolution to their hidden past. The story was extremely emotional, with waves of emotion coming from the pages at unexpected times. I cannot say that it was a lovely story because at times the truth was ugly, but the author treated all of the topics with sensitivity and an empathy that made me ponder the whole thing long after I turned the last page. Fans of contemporary fiction will enjoy this book but will want to take time to savor its message.
Disclaimer
Disclosure of Material Connection: I received a complimentary copy of this book from the publisher via Netgalley. I was not required to write a positive review. The opinions expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255, “Guides Concerning the Use of Testimonials and Endorsements in Advertising.”

Because of the mature subject matter included in the novel, I would rate this book a hard PG-13.
Author Bio:
HELEN CULLEN wrote her debut novel, The Lost Letters of William Woolf, while completing the Guardian/UEA novel writing program. She holds an MA in Theatre Studies from University College Dublin and is currently studying further at Brunel. Prior to writing full-time, Helen worked in journalism, broadcasting and most recently as a creative events and engagement specialist. Helen is Irish and currently lives in London.
Social Links:Author Website
Twitter: @WordsofHelen
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Facebook: @WordsofHelen
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Excerpt:

Inis Óg: 2005

Murtagh had woken that morning, once again, to an empty bed; the sheets were cool and unruffled on Maeve’s side. He had expected to find her sitting at the kitchen table, wrapped in her hound’s-tooth shawl, pale and thin in the darkness before dawn, a tangle of blue-black hair swept across her high forehead like a crow’s wet wing, her long, matted curls secured in a knot at the nape of her neck with one of her red pencils. He had anticipated how she would start when he appeared in the doorway. How he would ignore, as he always did, the few moments it would take for her dove-grey eyes to turn their focus outward. For the ghosts to leave her in his presence. The kettle would hiss and spit on the stove as he stood behind her wicker chair and rubbed warmth back into her arms, his voice jolly as he gently scolded her for lack of sleep and feigned nonchalance as to its cause.

But Maeve wasn’t sitting at the kitchen table.

Nor was she meditating on the stone step of the back door drinking milk straight from the glass bottle it was delivered in.

She wasn’t dozing on the living-room sofa, the television on but silent, an empty crystal tumbler tucked inside the pocket of her peacock-blue silk dressing gown, the one on which she had painstakingly embroidered a murmuration of starlings in the finest silver thread.

Instead, there was an empty space on the bannister where her coat should have been hanging.

Murtagh opened the front door and flinched at a swarm of spitting raindrops. The blistering wind mocked the threadbare cotton of his pyjamas. He bent his head into the onslaught and pushed forward, dragging the heavy scarlet door behind him. The brass knocker clanged against the wood; he flinched, hoping it had not woken the children. Shivering, he picked a route in his slippers around the muddy puddles spreading across the cobblestoned pathway. Leaning over the wrought-iron gate that separated their own familial island from the winding lane of the island proper, he scanned the dark horizon for a glimpse of Maeve in the faraway glow of a streetlamp.

In the distance, the sea and sky had melted into one anthracite mist, each indiscernible from the other. Sheep huddled together for comfort in Peadar Óg’s field, the waterlogged green that bordered the Moones’ land to the right; the plaintive baying of the animals sounded mournful. Murtagh nodded at them.

There was no sight of Maeve.

As he turned back towards the house he noticed Nollaig watching him from her bedroom window. The eldest daughter, she always seemed to witness the moments her parents had believed—hoped—were cloaked in invisibility, and then remained haunted by what she had seen. Ever since she was a toddler, Murtagh had monitored how her understanding grew, filling her up, and knew it would soon flood her eyes, always so questioning, permanently.

He waved at her as he blew back up the pathway. Later, he would feel the acute pain of finally recognising the prescience his daughter seemed to have absorbed from the womb.

‘How long is she gone?’

Nollaig was now standing before the hallway mirror, her face contorted as she vigorously tried to brush her frizzy mouse-brown hair into shape. She scraped it together into a tight ponytail that thrust from the back of her head as if it were a fox’s brush.

‘Ach, you should leave your gorgeous curls be, Noll,’ her father cajoled, ‘instead of fighting them.’

She smiled at him but slammed the mother-of-pearl hairbrush down on the sideboard.

‘I don’t have curls, I have Brillo pads,’ she sighed. ‘Did she say where she was going?’

Murtagh squeezed his daughter’s arm as he continued into the kitchen. ‘I’m sure your mother is just out for a walk. Happy birthday, love. Lá breithla shona duit.’

He placed a small copper saucepan of water on the range to boil and waved the invitation of an egg at his daughter. She nodded begrudgingly and curled into the green-and-gold striped armchair that sat in front of the stove.

‘With your white nightdress, you could almost pass for the Irish flag,’ he joked, and was gratified with her snort of glee.

He watched the clock hand count three minutes in silence. Expected any moment to hear his soaked wife splash through the door. He was poised, ready to run towards her with a towel and hushed reprimands for her careless wandering, but the boiling, cooling, cupping, cracking and spooning of each egg passed uninterrupted. Nollaig yawned, stretching her arms and legs before her in a stiff salute.

‘Why don’t you go back to bed for an hour?’ Murtagh asked. ‘We’ll all have proper breakfast together later.’

She eyed him with suspicion but acquiesced. ‘If Mam’s not back soon,’ she said, sidling away, ‘come and wake me. Promise? We’ll go out and find her. Remind her what day it is, for God’s sake.’

Murtagh nodded, ushered his daughter out of the kitchen and watched her climb the stairs.

Born on Christmas Eve, twenty years before, she was the only one of their children who came into the world via Galway maternity hospital and not into the impatient arms of Máire O’Dulaigh, the midwife of the island. She resented it; how it made her feel less of a true islander. What was more, the specialness of her own day for individual attention, her birth day, was irrevocably lost in the shared excitement of Christmas. In retrospect, it had been a mistake, perhaps, naming her Nollaig, the Irish for Christmas, and further compounding the association. No nickname had ever stuck, however. She wasn’t the sort of child who inspired others to claim her for their own with the intimacy of a given name.

‘Born ancient,’ her little sister, Sive, always said of her, with bored disdain.

And Murtagh sympathised. Nollaig carried the weight of being the eldest with pained perseverance, heavy responsibilities that were self-imposed. Her mother harboured a not always silent resentment of it, and it seemed only natural, if unfair, that Maeve and Sive gravitated more towards each other; the baby of the family shared her mother’s wit and wildness and often expressed the irritation her mother tried to hide at Nollaig’s sense of duty.

Excerpted from The Dazzling Truth by Helen Cullen, Copyright © 2020 by Helen Cullen. 

Published by Graydon House Books

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